The Fortune of the Rougons
Zola, Émile, 1840-1902
English
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Below is a summary of The Fortune of the Rougons
THE FORTUNE OF THE ROUGONS
By Emile Zola
Edited With Introduction By Ernest Alfred Vizetelly
INTRODUCTION
"The Fortune of the Rougons" is the initial volume of the
Rougon-Macquart series. Though it was by no means M. Zola's first essay
in fiction, it was undoubtedly his first great bid for genuine literary
fame, and the foundation of what must necessarily be regarded as his
life-work. The idea of writing the "natural and social history of a
family under the Second Empire," extending to a score of volumes, was
doubtless suggested to M. Zola by Balzac's immortal "Comedie Humaine."
He was twenty-eight years of age when this idea first occurred to him;
he was fifty-three when he at last sent the manuscript of his concluding
volume, "Dr. Pascal," to the press. He had spent five-and-twenty years
in working out his scheme, persevering with it doggedly and stubbornly,
whatever rebuffs he might encounter, whatever jeers and whatever insults
might be directed against him by the ignorant, the prejudiced, and the
hypocritical. Truth was on the march and nothing could stay it; even as,
at the present hour, its march, if slow, none the less continues athwart
another and a different crisis of the illustrious novelist's career.
It was in the early summer of 1869 that M. Zola first began the actual
writing of "The Fortune of the Rougons." It was only in the following
year, however, that the serial publication of the work commenced in
the columns of "Le Siecle," the Republican journal of most influence
in Paris in those days of the Second Empire. The Franco-German war
interrupted this issue of the story, and publication in book form did
not take place until the latter half of 1871, a time when both the war
and the Commune had left Paris exhausted, supine, with little or no
interest in anything. No more unfavourable moment for the issue of an
ambitious work of fiction could have been found. Some two or three
years went by, as I well remember, before anything like a revival of
literature and of public interest in literature took place. Thus, M.
Zola launched his gigantic scheme under auspices which would have made
many another man recoil. "The Fortune of the Rougons," and two or three
subsequent volumes of his series, attracted but a moderate degree
of attention, and it was only on the morrow of the publication of
"L'Assommoir" that he awoke, like Byron, to find himself famous.
As previously mentioned, the Rougon-Macquart series forms twenty
volumes. The last of these, "Dr. Pascal," appeared in 1893. Since
then M. Zola has written "Lourdes," "Rome," and "Paris." Critics have
repeated _ad nauseam_ that these last works constitute a new departure
on M. Zola's part, and, so far as they formed a new series, this
is true. But the suggestion that he has in any way repented of the
Rougon-Macquart novels is ridiculous. As he has often told me of recent
years, it is, as far as possible, his plan to subordinate his style and
methods to his subject. To have written a book like "Rome," so largely
devoted to the ambitions of the Papal See, in the same way as he had
written books dealing with the drunkenness or other vices of Paris,
would have been the climax of absurdity.
Yet the publication of "Rome," was the signal for a general outcry on
the part of English and American reviewers that Zolaism, as typified by
the Rougon-Macquart series, was altogether a thing of the past. To my
thinking this is a profound error. M. Zola has always remained faithful
to himself. The only difference that I perceive between his latest
work, "Paris," and certain Rougon-Macquart volumes, is that with time,
experience and assiduity, his genius has expanded and ripened, and that
the hesitation, the groping for truth, so to say, which may be found in
some of his earlier writings, has disappeared.
At the time when "The Fortune of the Rougons" was first published, none
but the author himself can have imagined that the foundation-stone of
one of the great literary monuments of the century had just been laid.
From the "story" point of view the book is one of M. Zola's very best,
although its construction--particularly as regards the long interlude of
the idyll of Miette and Silvere--is far from being perfect. Such a work
when first issued might well bring its author a measure of popularity,
but it could hardly confer fame. Nowadays, however, looking backward,
and bearing in mind that one here has the genius of M. Zola's lifework,
"The Fortune of the Rougons" becomes a book of exceptional interest
and importance. This has been so well understood by French readers that
during the last six or seven years the annual sales of the work have
increased threefold. Where, over a course of twenty years, 1,000 copies
were sold, 2,500 and 3,000 are sold to-day. How many living English
novelists can say the same of their early essays in fiction, issued more
than a quarter of a century ago?
I may here mention that at the last date to which I have authentic
figures, that is, Midsummer 1897 (prior, of course, to what is called
"L'Affaire Dreyfus"), there had been sold of the entire Rougon-Macquart
series (which had begun in 1871) 1,421,000 copies. These were of the
ordinary Charpentier editions of the French originals. By adding thereto
several _editions de luxe_ and the widely-circulated popular illustrated
editions of certain volumes, the total amounts roundly to 2,100,000.
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