Madame De Treymes
Wharton, Edith, 1862-1937
English
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Below is a summary of Madame De Treymes
This etext was produced by Charles Aldarondo (Aldarondo@yahoo.com).
MADAME DE TREYMES
BY EDITH WHARTON
MADAME DE TREYMES
I
John Durham, while he waited for Madame de Malrive to draw on her
gloves, stood in the hotel doorway looking out across the Rue de
Rivoli at the afternoon brightness of the Tuileries gardens.
His European visits were infrequent enough to have kept unimpaired
the freshness of his eye, and he was always struck anew by the vast
and consummately ordered spectacle of Paris: by its look of having
been boldly and deliberately planned as a background for the
enjoyment of life, instead of being forced into grudging concessions
to the festive instincts, or barricading itself against them in
unenlightened ugliness, like his own lamentable New York.
But to-day, if the scene had never presented itself more alluringly,
in that moist spring bloom between showers, when the horse-chestnuts
dome themselves in unreal green against a gauzy sky, and the very
dust of the pavement seems the fragrance of lilac made
visible--to-day for the first time the sense of a personal stake in
it all, of having to reckon individually with its effects and
influences, kept Durham from an unrestrained yielding to the spell.
Paris might still be--to the unimplicated it doubtless still
was--the most beautiful city in the world; but whether it were the
most lovable or the most detestable depended for him, in the last
analysis, on the buttoning of the white glove over which Fanny de
Malrive still lingered.
The mere fact of her having forgotten to draw on her gloves as they
were descending in the hotel lift from his mother's drawing-room
was, in this connection, charged with significance to Durham. She
was the kind of woman who always presents herself to the mind's eye
as completely equipped, as made up of exquisitely cared for and
finely-related details; and that the heat of her parting with his
family should have left her unconscious that she was emerging
gloveless into Paris, seemed, on the whole, to speak hopefully for
Durham's future opinion of the city.
Even now, he could detect a certain confusion, a desire to draw
breath and catch up with life, in the way she dawdled over the last
buttons in the dimness of the porte-cochere, while her footman,
outside, hung on her retarded signal.
When at length they emerged, it was to learn from that functionary
that Madame la Marquise's carriage had been obliged to yield its
place at the door, but was at the moment in the act of regaining it.
Madame de Malrive cut the explanation short. "I shall walk home. The
carriage this evening at eight."
As the footman turned away, she raised her eyes for the first time
to Durham's.
"Will you walk with me? Let us cross the Tuileries. I should like to
sit a moment on the terrace."
She spoke quite easily and naturally, as if it were the most
commonplace thing in the world for them to be straying afoot
together over Paris; but even his vague knowledge of the world she
lived in--a knowledge mainly acquired through the perusal of
yellow-backed fiction--gave a thrilling significance to her
naturalness. Durham, indeed, was beginning to find that one of the
charms of a sophisticated society is that it lends point and
perspective to the slightest contact between the sexes. If, in the
old unrestricted New York days, Fanny Frisbee, from a brown stone
door-step, had proposed that they should take a walk in the Park,
the idea would have presented itself to her companion as agreeable
but unimportant; whereas Fanny de Malrive's suggestion that they
should stroll across the Tuileries was obviously fraught with
unspecified possibilities.
He was so throbbing with the sense of these possibilities that he
walked beside her without speaking down the length of the wide alley
which follows the line of the Rue de Rivoli, suffering her even,
when they reached its farthest end, to direct him in silence up the
steps to the terrace of the Feuillants. For, after all, the
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