A Chair on the Boulevard
Merrick, Leonard, 1864-1939
English
We will print you a perfectly bound paperback of your selected title and send it to you at your nominated address
Below is a summary of A Chair on the Boulevard
and the Online Distributed Proofreading Team.
A CHAIR ON THE BOULEVARD
By LEONARD MERRICK
WITH AN INTRODUCTION BY A. NEIL LYONS
1921
CONTENTS
I THE TRAGEDY OF A COMIC SONG
II TRICOTRIN ENTERTAINS
III THE FATAL FLOROZONDE
IV THE OPPORTUNITY OF PETITPAS
V THE CAFE OF THE BROKEN HEART
VI THE DRESS CLOTHES OF MONSIEUR POMPONNET
VII THE SUICIDES IN THE RUE SOMBRE
VIII THE CONSPIRACY FOR CLAUDINE
IX THE DOLL IN THE PINK SILK DRESS
X THE LAST EFFECT
XI AN INVITATION TO DINNER
XII THE JUDGMENT OF PARIS
XIII THE FAIRY POODLE
XIV LITTLE-FLOWER-OF-THE-WOOD
XV A MIRACLE IN MONTMARTRE
XVI THE DANGER OF BEING A TWIN
XVII HERCULES AND APHRODITE
XVIII "PARDON, YOU ARE MADEMOISELLE GIRARD!"
XIX HOW TRICOTRIN SAW LONDON
XX THE INFIDELITY OF MONSIEUR NOULENS
INTRODUCTION
These disjointed thoughts about one of Leonard Merrick's most
articulate books must begin with a personal confession.
For many years I walked about this earth avoiding the works of Leonard
Merrick, as other men might have avoided an onion. This insane aversion
was created in my mind chiefly by admirers of what is called the
"cheerful" note in fiction. Such people are completely agreed in
pronouncing Mr. Merrick to be a pessimistic writer. I hate pessimistic
writers.
Years ago, when I was of an age when the mind responds acutely to
exterior impressions, some well-meaning uncle, or other fool, gave me a
pessimistic book to read. This was a work of fiction which the British
Public had hailed as a masterpiece of humour. It represented, with an
utter fury of pessimism, the spiritual inadequacies of--but why go into
details.
Now, I have to confess that for a long time I did Mr. Merrick the
extraordinary injustice of believing him to be the author of that
popular masterpiece.
The mistake, though intellectually unpardonable, may perhaps be
condoned on other grounds. By virtue of that process of thought which
we call the "association of ideas," I naturally connected Mr. Merrick
with this work of super-pessimism; my friends being so confirmed in
their belief that he was a super-pessimist.
But by virtue of a fortunate accident, I at last got the truth about
Mr. Merrick. This event arose from the action of a right-minded
Back