Hauntings
Lee, Vernon, 1856-1935
English
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HAUNTINGS
FANTASTIC STORIES
VERNON LEE
1890
To _FLORA PRIESTLEY_ and _ARTHUR LEMON_
_Are Dedicated_
DIONEA, AMOUR DURE,
_and_ THESE PAGES OF INTRODUCTION AND APOLOGY.
_Preface_
We were talking last evening--as the blue moon-mist poured in through
the old-fashioned grated window, and mingled with our yellow
lamplight at table--we were talking of a certain castle whose
heir is initiated (as folk tell) on his twenty-first birthday to the
knowledge of a secret so terrible as to overshadow his subsequent life.
It struck us, discussing idly the various mysteries and terrors that
may lie behind this fact or this fable, that no doom or horror
conceivable and to be defined in words could ever adequately solve this
riddle; that no reality of dreadfulness could seem caught but paltry,
bearable, and easy to face in comparison with this vague we know not
what.
And this leads me to say, that it seems to me that the supernatural, in
order to call forth those sensations, terrible to our ancestors and
terrible but delicious to ourselves, skeptical posterity, must
necessarily, and with but a few exceptions, remain enwrapped in
mystery. Indeed, 'tis the mystery that touches us, the vague shroud of
moonbeams that hangs about the haunting lady, the glint on the
warrior's breastplate, the click of his unseen spurs, while the figure
itself wanders forth, scarcely outlined, scarcely separated from the
surrounding trees; or walks, and sucked back, ever and anon, into the
flickering shadows.
A number of ingenious persons of our day, desirous of a
pocket-superstition, as men of yore were greedy of a pocket-saint to
carry about in gold and enamel, a number of highly reasoning men of
semi-science have returned to the notion of our fathers, that ghosts
have an existence outside our own fancy and emotion; and have culled
from the experience of some Jemima Jackson, who fifty years ago, being
nine years of age, saw her maiden aunt appear six months after decease,
abundant proof of this fact. One feels glad to think the maiden aunt
should have walked about after death, if it afforded her any
satisfaction, poor soul! but one is struck by the extreme
uninterestingness of this lady's appearance in the spirit,
corresponding perhaps to her want of charm while in the flesh.
Altogether one quite agrees, having duly perused the collection of
evidence on the subject, with the wisdom of these modern ghost-experts,
when they affirm that you can always tell a genuine ghost-story by the
circumstance of its being about a nobody, its having no point or
picturesqueness, and being, generally speaking, flat, stale, and
unprofitable.
A genuine ghost-story! But then they are not genuine ghost-stories,
those tales that tingle through our additional sense, the sense of the
supernatural, and fill places, nay whole epochs, with their strange
perfume of witchgarden flowers.
No, alas! neither the story of the murdered King of Denmark (murdered
people, I am told, usually stay quiet, as a scientific fact), nor of
that weird woman who saw King James the Poet three times with his
shroud wrapped ever higher; nor the tale of the finger of the bronze
Venus closing over the wedding-ring, whether told by Morris in verse
patterned like some tapestry, or by Merimee in terror of cynical
reality, or droned by the original mediaeval professional story-teller,
none of these are genuine ghost-stories. They exist, these ghosts, only
in our minds, in the minds of those dead folk; they have never stumbled
and fumbled about, with Jemima Jackson's maiden aunt, among the
armchairs and rep sofas of reality.
They are things of the imagination, born there, bred there, sprung from
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